Showing posts with label one direction. Show all posts
Showing posts with label one direction. Show all posts

Friday, January 23, 2015

Mix Tape of the Day: January 23, 2015 - The Best of 2012

Going back in time once more, we come to the year that the world ended.  I actually have far stronger memories of songs that I associate from this year than I do 2013, which is odd.  I think part of it was because I was introduced to a lot of new music at festivals and such, but I'll address them later.  For today, it's back to the Hot 100, to see what 2012 was like.


2014 was the Year of Happiness and 2013 was the Year of Silliness, but 2012 was the Year of Guilty Pleasures.  Almost every song on this list can make you say, "Really?  You like that song?"  Case in point: "Gangnam Style."  Sure, it won us all over with the silly music video, but I would probably listen to this song every day, either online or on the radio.  It was so catchy and entertaining.  A great party song, even though I didn't understand the lyrics at all.

This '90s throwback of a song was a contender for the first track on this mix.  It was also a great guilty pleasure of mine that year.  Once again, the catchy music has won me over.  (I didn't even really watch the video until years later.)

2012 gave us Psy, Carly Rae Jepsen, and One Direction.  While music snobs may have cringed, I was in heaven.  I didn't realize until this moment that I've put a 1D song on each mix of the year so far.  I guess I'm a Directioner.  This still remains my favorite of their songs.

Am I losing the little credibility that I once had as a fan of pop music?  Did I ever have any credibility?  Don't care.  We shouldn't feel guilty about our guilty pleasures.  We should just call them "pleasures."

Now, I'm loud and proud about my Taylor Swift fandom.  But there was a time I had to be less vocal about it.  I couldn't just go around in public singing along to "We Are Never Ever Getting Back Together."  We truly live in a better age.

Ooh, I remember hearing this right before it blew up and became the song of the year.  I thought it was the coolest thing ever.  No need to feel guilty about this one.  It did get a bit overplayed, though.  I liked it better as a hidden gem that I didn't have to listen to daily.  It's more like a one-a-month song.

So, in 2012, the Infinite Jukebox was developed.  It creates infinite loops of songs by jumping to structurally similar parts of the song.  It's cool, but it has it's share of kinks.  And the best one is that on "Paris," it gets stuck at "Yo whip so cold, this old thang."  Forever.  It takes this masterpiece and it makes it like...a whole new level of art.  Transcend to a new plane of existence here.  Also, don't let Kanye into his zone.

It reels me in with that '50s opening and doesn't let go.

I originally thought this was going to be the song that plays during the ending credits to "Wreck-It Ralph."  I just picture video games whenever I hear this song, and it came out at the same time as the film.  It...it made sense to me.

Nicki Minaj's creepy robot aesthetic pays off in this song.

I'm breaking my self-imposed rules by featuring more than one song by the same artist per year (but I consider this more of Sia vs. Nicki Minaj, rather than David Guetta vs. himself).  There is an a cappella rendition of this song that I just love, but the original still is a fantastic song.  I'll include the cover later when I do my a cappella mix.

This is a Twilight promotion?  Oh well, this is one of those love songs that just hits all the right notes with me.  Christina Perri gets a lot of hate in the pop music field for some weird reason.  I think her voice and songs are radio perfection.

This is my jam.  I want it to play every night I go out.  For some reason, I've categorized it as a "Thrill Seekers" song.  It just seems like the epic beginning to a young group of modern adventurers out to paint the town red.

Friday, January 16, 2015

Mix Tape of the Day: January 16, 2015 - The Best of 2013

Last week, I premiered my "Best of the Year" mixes with two looks at 2014.  Since 2014 was a lot fresher in my memory and since there was such a disconnect between what was popular and what I regularly listened to, I was able to come up with two days worth of mixes.  But for 2013 already, I'm having trouble coming up with a lot of the songs I listened to that year.  So from now on, there will only be one mix per year and any songs that didn't chart on the Hot 100 list will have to hope they end up elsewhere.  I figured I'll stick with Fridays as my "Best of the Year" days, for the most part.

So let's go back in time one year to 2013.


2013 means Miley Cyrus.  Miley Cyrus everywhere.  And, whatever your feelings are on her persona or craft, there's no denying that she held our attention for the larger part of the year.  It made it all the more difficult for me to admit that I genuinely like "Wrecking Ball."  Not in an ironic way.  I think it's a great song, especially to sing along to.  Some songs can be over-the-top emotional beasts.  Embrace them.

For all the Miley haters, it's not like the rest of 2013 was super serious.  There was still "Gangnam Style" holdover, a "Harlem Shake" epidemic, and the number one song of the year was a rap song that lampooned luxury living with a loving ode to the thrift shop.  The fact that a song like this can be #1 for an entire year is one of those reminders that humanity can really do something amazing when they work together.

Continuing with the theme of "ridiculousness," we have this silly song that actually charted for weeks as well.  Every year seems to have it's share of novelty songs, but 2013 thrived on them.

I'd also classify this as a novelty song.  If it wasn't for the little cup rhythmic movement, this song would not have taken off the way it did.  Not that it's a bad song, but it certainly helped that everyone wanted to record their own version of it to show that they could do it too.

I'm not a big country fan.  We won't be seeing too much country on this list.  And one of my qualms about the Hot 100 list is that it incorporates all genres, which means that a lot of popular country music ends up edging out my favorite alternative songs.  But then it introduces me to gems like this and I don't feel so bad.

If 2013 taught us anything, it was that you'd never predict where the next hit was going to come from.  For those who deride pop music as being too formulaic, just look at all the outliers we got in this year.

Okay, I hardly count this as a 2013 song.  I hardly even count it as a 2012 or 2011 song.  I feel as if this song has been around forever.  I was certainly listening to it since it's debut, because I am so much more familiar with this unofficial music video than the official one which just came out last year.  But, it charted in 2013, and for that I am glad.  Now I can be pleasantly surprised and hear it on the radio often.

2013 was also Pharrell's big year, in which he was featured on popular retro-sounding songs.  And while I'm ignoring his other 2013 megahit (partially, anyway), we have this opportunity to appreciate his featured work.  But I still can't not hear, "We'll rob all Mexicans" during the breakdown.

Technically, it was the remix that charted in 2013, but I prefer the original.  I mean, I'll enjoy the remix if that's all that's available to me on the radio, but sometimes you should let a sad song stay sad.  It resonated with me the first time I heard it and it has stayed with me every summer.  But now I can't feature it on my summer mix!  Oh well, it'll be more upbeat that way.

We knew twangy indie bands would ultimately take over, but this was the first song of that genre I truly appreciated.  Since love is one big waiting game, I can't help but hear this song whenever I think back on my past loves.  And in my own personal rewrite of the How I Met Your Mother finale, you can bet that this would be the song that played over the final scene.

I really enjoy this one, but lately I've been hearing the word "parody" every time she says "clarity," and now I want someone to record a parody version about song parodies called, "Parody."

Update: Looks like my prayers have been answered! Um...anyone else want to try?

Weird how Taylor Swift is 25 now and just last year she was 22.  Anyway, I remember when this came out in 2012 and it reminded me that Taylor's still got it.  Even though the brilliance of 1989 just two years ahead of her, she still showed that she could produce a quality hit.  And by quality hit, I meant one whose lyrics I constantly quote every day for some reason.  I'm always feeling like a 22-year-old hipster, I guess.

Of course, I have to end with the best song ever.

Friday, January 9, 2015

Mix Tape of the Day: January 9, 2015 - The Best of 2014, Part 1: Billboard Hot 100 Edition

Okay, so I wanted to start doing some year specific mixes, and I figured while we are still in the New Year's haze, 2014 would be a great place to start.  Today, I'm picking my 13 favorites from the Billboard Hot 100 Year-End Chart (as it's a helpful guide to see what was popular in each year, to capture that year's "sound").  Any favorite songs that didn't chart will appear on tomorrow's Best of 2014 list. (Also, if a song appeared on a previous year's chart, I'll consider it for that year.)


Of course, we're starting with "Shake It Off."  2014's theme seemed to be self-empowerment.  As we shook off the liars and the haters and the dirty, dirty cheats of the world, we found ourselves surrounded by optimism and joy at every turn.  Thank you, Taylor Swift, for everything.

You could tell that 2014 was going to be the year of positivity when it's first hit song was called "Happy."  I almost didn't include this song since it's been overplayed.  But then I remembered how happy I was when I first saw that 24-hour music video, and I knew it belonged.

Shake it off.  Be happy.  Let it go.  This playlist speaks for itself.  (And no, I never got sick of this song because...well, I hadn't seen the movie yet, so it just seemed like a recurring taste of something grand.)  And hey! When was the last time a Disney song was all the rage on the radio?!

And once you let it go, you just get silly.  It may be the stupidest song that came out last year, but sometimes we need that stupid.

So, I was stuck at 12 songs for a long time.  Nothing was really leaping at me for being absolutely necessary.  And then I remembered that despite all its flaws, I thoroughly enjoyed "All About That Bass" the first time I heard it.  It was (mostly) positive and progressive and it reminded me of my favorite musical Hairspray.  All songs should aspire to do that.

It's always great when songs are suddenly pulled out of years of obscurity and shared with the masses.  This was one of the few alternative favorites of mine that managed to chart on the Hot 100.

This isn't my favorite Lorde track of 2014 (come back tomorrow for that one) but it's refreshing to have someone like Lorde as a pop star.  Hearing her voice and words on the radio always makes me feel content.  Something about her perspective of the world just makes sense.

Okay, we're getting into less positive territory now.  But hey, being a teenager isn't always the most positive experience.  What I like about this song is that everyone can relate to feeling this feeling at some point in their lives, so there is the implied message that it all gets better once we realize that being "cool" is all relative.

Even if you're two poor citizens of a doomed city, at least you can have a great theme to score the surrounding destruction.  Yes, this one has a more pessimistic vibe, but it also delights in irony and sarcasm, so if that isn't positivity in the face of adversity, I don't know what is.

We shall finish off this mix by dealing with heartbreak because all years have heartbreak.  Got to have some bad times in order to stay positive.  One Direction takes a mature, refined look at an ending relationship, resulting in me putting One Direction on my Best of 2014 mix.

For a more pained take on a crumbling relationship, A Great Big World presents this masterpiece.  I originally opted to put just their solo version of it on the mix, but I realized that it needs Aguilera's voice to make it that much more powerful.  Both versions are great, but this duet makes the heartache more brutal and universal.

And once again, when you feel so much pain from what the world has dealt you, you just have to break free and let loose.

We've had our heartbreak.  We've run around and shouted and let it go!  And now, we start anew.  New life, new loves, and then we'll do it all over again.  Apparently, this song was held back from being a single because it had no chorus/verse structure.  Instead it just built in intensity repeatedly, over and over again.  Um, that's how you make the best song of 2014!